7
THE WARPED DOOR GROANED AND CREAKED AS VI vienne Neddler forced it open.
Aiii-eee, aiii-eee . . .
A wave of frigid air washed out of the dark room, into the hallway.
Vivienne reached inside, fumbled for the light switch, found it, and entered warily. The room was deserted.
Aiii-eee, aii-eee . . .
Baseball stars and horror-movie monsters gazed at Vivienne from posters stapled to the walls. Three intricate model airplanes were suspended from the ceiling. These things were as they always had been, since she had first come to work here, before Danny had died.
Aiii-eee, aiii-eee, aiii-eee . . .
The maddening electronic squeal issued from a pair of small stereo speakers that hung on the wall behind the bed. The CD player and an accompanying AM-FM tuner and amplifier were stacked on one of the nightstands.
Although Vivienne could see where the noise originated, she couldn't locate any source for the bitterly cold air. Neither window was open, and even if one had been raised, the night wasn't frigid enough to account for the chill.
Just as she reached the AM-FM tuner, the banshee wail stopped. The sudden silence had an oppressive weight.
Gradually, as her ears stopped ringing, Vivienne perceived the soft empty hiss of the stereo speakers. Then she heard the thumping of her own heart.
The metal casing of the radio gleamed with a brittle crust of ice. She touched it wonderingly. A sliver of ice broke loose under her finger and fell onto the nightstand. It didn't begin to melt; the room was cold.
The window was frosted. The dresser mirror was frosted too, and her reflection was dim and distorted and strange.
Outside, the night was cool but not wintry. Maybe fifty degrees. Maybe even fifty-five.
The radio's digital display began to change, the orange numbers escalating across the frequency band, sweeping through one station after another. Scraps of music, split-second flashes of disc jockeys' chatter, single words from different somber-voiced newscasters, and fragments of commercial jingles blended in a cacophonous jumble of meaningless sound. The indicator reached the end of the band width, and the digital display began to sequence backward.
Trembling, Vivienne switched off the radio.
As soon as she took her finger off the push switch, the radio turned itself on again.
She stared at it, frightened and bewildered.
The digital display began to sequence up the band once more, and scraps of music blasted from the speakers.
She pressed the ON-OFF bar again.
After a brief silence, the radio turned on spontaneously.
"This is crazy," she said shakily.
When she shut off the radio the third time, she kept her finger pressed against the ON-OFF bar. For several seconds she was certain that she could feel the switch straining under her fingertip as it tried to pop on.
Overhead, the three model airplanes began to move. Each was hung from, the ceiling on a length of fishing line, and the upper end of each line was knotted to its own eye-hook that had been screwed firmly into the drywall. The planes jiggled, jerked, twisted, and trembled.
Just a draft.
But she didn't feel a draft.
The model planes began to bounce violently up and down on the ends of their lines.
"God help me," Vivienne said.
One of the planes swung in tight circles, faster and faster, then in wider circles, steadily decreasing the angle between the line on which it was suspended and the bedroom ceiling. After a moment the other two models ceased their erratic dancing and began to spin around and around, like the first plane, as if they were actually flying, and there was no mistaking this deliberate movement for the random effects of a draft.
Ghosts? A poltergeist?
But she didn't believe in ghosts. There were no such things. She believed in death and taxes, in the inevitability of slot-machine jackpots, in all-you-can-eat casino buffets for $5.95 per person, in the Lord God Almighty, in the truth of alien abductions and Big Foot, but she didn't believe in ghosts.
The sliding closet doors began to move on their runners, and Vivienne Neddler had the feeling that some awful thing was going to come out of the dark space, its eyes as red as blood and its razor-sharp teeth gnashing. She felt a presence, something that wanted her, and she cried out as the door came all the way open.
But there wasn't a monster in the closet. It contained only clothes. Only clothes.
Nevertheless, untouched, the doors glided shut . . . and then open again. . . .
The model planes went around, around.
The air grew even colder.
The bed started to shake. The legs at the foot rose three or four inches before crashing back into the casters that had been put under them to protect the carpet. They rose up again. Hovered above the floor. The springs began to sing as if metal fingers were strumming them.
Vivienne backed into the wall, eyes wide, hands fisted at her sides.
As abruptly as the bed had started bouncing up and down, it now stopped. The closet doors closed with a jarring crash—but they didn't open again. The model airplanes slowed, swinging in smaller and smaller circles, until they finally hung motionless.
The room was silent.
Nothing moved.
The air was getting warmer.
Gradually Vivienne's heartbeat subsided from the hard, frantic rhythm that it had been keeping for the past couple of minutes. She hugged herself and shivered.
A logical explanation. There had to be a logical explanation.
But she wasn't able to imagine what it could be.
As the room grew warm again, the doorknobs and the radio casing and the other metal objects quickly shed their fragile skins of ice, leaving shallow puddles on furniture and damp spots in the carpet. The frosted window cleared, and as the frost faded from the dresser mirror, Vivienne's distorted reflection resolved into a more familiar image of herself.
Now this was only a young boy's bedroom, a room like countless thousands of others.
Except, of course, that the boy who had once slept here had been dead for a year. And maybe he was coming back, haunting the place.
Vivienne had to remind herself that she didn't believe in ghosts.
Nevertheless, it might be a good idea for Tina Evans to get rid of the boy's belongings at last.
Vivienne had no logical explanation for what had happened, but she knew one thing for sure: She wasn't going to tell anyone what she had seen here tonight. Regardless of how convincingly and earnestly she described these bizarre events, no one would believe her. They would nod and smile woodenly and agree that it was a strange and frightening experience, but all the while they would be thinking that poor old Vivienne was finally getting senile. Sooner or later word of her rantings about poltergeists might get back to her daughter in Sacramento, and then the pressure to move to California would become unbearable. Vivienne wasn't going to jeopardize her precious independence.
She left the bedroom, returned to the kitchen, and drank two shots of Tina Evans's best bourbon. Then, with characteristic stoicism, she returned to the boy's bedroom to wipe up the water from the melted ice, and she continued housecleaning.
She refused to let a poltergeist scare her off.
It might be wise, however, to go to church on Sunday. She hadn't been to church in a long time. Maybe some churching would be good for her. Not every week, of course. Just one or two Masses a month. And confession now and then. She hadn't seen the inside of a confessional in ages. Better safe than sorry.
Chapter 7
问题
1. Why Vivienne said shakily, “This is crazy”?
2. What does “all-you-can-eat” mean in the phrase “all-you-can-eat casino buffets for $5.95 per person”?
3. Why Vivienne drank two shots of Tina Evans’s best bourbon when Vivienne
翻译
1. A wave of frigid air washed out of the dark room, into the hallway.
2. The radio's digital display began to change, the orange numbers escalating across the frequency band, sweeping through one station after another.
3. Vivienne wasn't going to jeopardize her precious independence.
思考
本章的最后一句话，better safe than sorry, 小心驶得万年船，又或者防患于未然，从这句话中，你可以推测出Vivienne 将会做些什么呢？
